The Spaces, Politics, and Cultural Economies of Electronic Dance Music
Identifieur interne : 000109 ( Main/Exploration ); précédent : 000108; suivant : 000110The Spaces, Politics, and Cultural Economies of Electronic Dance Music
Auteurs : Alistair FraserSource :
- Geography Compass [ 1749-8198 ] ; 2012-08.
Descripteurs français
- Wicri :
- topic : Géographie culturelle, Géographie, Géographie humaine.
English descriptors
- KwdEn :
- Accumulation, Arctic climate change, Atomized societies, Author geography compass, Bader, Bass music, Blackwell, Blackwell publishing, British geographers, Capitalist accumulation, Club cultures, Clubcultures reader, Complex ways, Cooperative practices, Cultural economies, Cultural economy, Cultural geography, Cultural industries, Electronic dance music, Electronic dance music culture, Ettlinger, Exible accumulation, Fraser, Genre, Geographer, Geographical contributions, Geographical literature, Geographical scholarship, Geography, Geography compass, Global music industry, Hedonistic, Hedonistic pursuits, Hedonistic space, Hedonistic spaces, Human geography, Ireland maynooth, Major role, Music industry, Music producers, Nancy ettlinger, National university, Neoliberal times, Oxford university press, Plate culture, Political dimensions, Political message, Popular music, Racial studies, Record companies, Saldanha, Scharenberg, Techno, Techno music scene, Wesleyan university press.
- Teeft :
- Accumulation, Arctic climate change, Atomized societies, Author geography compass, Bader, Bass music, Blackwell, Blackwell publishing, British geographers, Capitalist accumulation, Club cultures, Clubcultures reader, Complex ways, Cooperative practices, Cultural economies, Cultural economy, Cultural geography, Cultural industries, Electronic dance music, Electronic dance music culture, Ettlinger, Exible accumulation, Fraser, Genre, Geographer, Geographical contributions, Geographical literature, Geographical scholarship, Geography, Geography compass, Global music industry, Hedonistic, Hedonistic pursuits, Hedonistic space, Hedonistic spaces, Human geography, Ireland maynooth, Major role, Music industry, Music producers, Nancy ettlinger, National university, Neoliberal times, Oxford university press, Plate culture, Political dimensions, Political message, Popular music, Racial studies, Record companies, Saldanha, Scharenberg, Techno, Techno music scene, Wesleyan university press.
Abstract
This paper examines the spaces, politics, and cultural economies of electronic dance music (EDM). I use geographical literature on EDM to argue that its hedonistic spaces have been forged via cultural economic practices which I conceptualize as constitutive of a process of ‘accumulation by cooperation’. In numerous contexts, the people of EDM – the DJs, producers, MCs, artists, promoters, and ravers – have chipped in, worked alongside each other, collaborated, and shared ideas, emotions, and knowledge with a view to producing and re‐producing cultural economies and hedonistic spaces shot through by a complex, contradictory politics.
Url:
DOI: 10.1111/j.1749-8198.2012.00505.x
Affiliations:
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Le document en format XML
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<front><div type="abstract" xml:lang="en">This paper examines the spaces, politics, and cultural economies of electronic dance music (EDM). I use geographical literature on EDM to argue that its hedonistic spaces have been forged via cultural economic practices which I conceptualize as constitutive of a process of ‘accumulation by cooperation’. In numerous contexts, the people of EDM – the DJs, producers, MCs, artists, promoters, and ravers – have chipped in, worked alongside each other, collaborated, and shared ideas, emotions, and knowledge with a view to producing and re‐producing cultural economies and hedonistic spaces shot through by a complex, contradictory politics.</div>
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